Summary notes created by Deciphr AI
https://youtu.be/yOTvZGTHtuE?si=rU4bAcRYLsGAV1QlHosts Lisa and Cameron of the "Swiftly Spoken" podcast delve into the additional tracks from Taylor Swift's "Midnights" album, including the 3am and Deluxe Tracks. They discuss the surprise release and the emotional depth of songs like "The Great War" and "Bigger Than The Whole Sky," contrasting them with lighter, more playful tracks like "Paris." They also touch on the poignant "Would've, Could've, Should've," which reflects on past relationships with a mature perspective. The hosts express their appreciation for the diversity of the album, noting how it encapsulates various elements of Swift's career, and share their mixed feelings about the remixed versions of "You're On Your Own, Kid" and "Sweet Nothing." Throughout, they highlight the standout songwriting and the metaphorical richness that characterizes Swift's work.
"Welcome to Swiftly Spoken, a fan-made Taylor Swift podcast in which we break down her lyrics, deep dive into full album retrospectives, and theorize about what may be coming next. As always, we are your hosts Lisa and Cameron, and in this episode, we'll be reacting to the 3am and Deluxe Tracks from the Midnights album, breaking them down, and ranking our top five."
The quote introduces the podcast and the specific focus of the episode, which is to analyze and discuss the additional tracks from Taylor Swift's "Midnights" album.
"There's a lot going on, like none of us expected any of this. It was such a surprise when she said chaotic surprise, she really, really meant it."
This quote reflects the hosts' feelings of surprise and the unexpected nature of the release, emphasizing Taylor Swift's intention to create a chaotic surprise for her fans.
"I've now got like all I hadn't even really remembered it's the sound or lyric. Like lyrics hadn't really stuck or melodies hadn't really properly stuck at that point let alone then being given all of these other tracks that I didn't after about four listens I still hadn't really remembered what all the names were of the deluxe extracts, it was so much content to kind of digest."
The quote conveys the overwhelming feeling of absorbing a large volume of new music and the challenge of remembering all the new track names and content.
"And the thing that it makes me think, and obviously thankfully with Taylor's versions, we are getting those, but it is almost like what other songs are there that just never made the album that I know desperately deserve to."
The quote reflects on the possibility of other unreleased songs from Taylor Swift's discography that fans have not yet heard, suggesting a curiosity about the full scope of her creative work.
"The Great War itself tells the story through obviously a metaphorical veil of a war, but it is essentially a fight between lovers and the drama of it all, you know, turning it into the Great War, equivalating it to this massive fight and the way that she goes through it is just so good."
The quote summarizes the central metaphor of "The Great War," which is a tumultuous relationship depicted as a significant conflict, showcasing Taylor Swift's ability to transform personal experiences into compelling narratives.
"The song itself talks about, you know, loss, the effects that come after an untimely death, and just asking yourself like why, why did this happen, could I have done something to stop this from happening, which obviously is something that's beyond our control."
This quote captures the essence of "Bigger Than the Whole Sky," highlighting its exploration of grief and the search for answers following a loss, emphasizing the emotional depth of the song.
"I think from bigger than the whole Sky into Paris, which is our next song, Paris. Yeah. Yeah. We're gonna get into this one, so last time around, I had to convince you or kind of defend a couple of songs, and this time around, it's your turn."
The quote highlights the transition from the somber tone of "Bigger Than the Whole Sky" to the lightheartedness of "Paris," and sets up a discussion about personal preferences for Taylor Swift's diverse range of songs.
"I think because Taylor songwriting is so kind of complex and metaphorical that people over analyze stuff and sometimes it's just nice to just have a song that it's just not fun it hasn't really gotten too much to say I think you're going to overly think about it it's just a fun song that you know you just enjoy listening to and has a nice beat you know not everything has to be like deep."
This quote explains that the complexity of Taylor Swift's songwriting often leads to overinterpretation, but some songs, like "Paris," are meant to be simple and enjoyable without deep meaning.
"I have seen I have to say a lot of love and a lot of Defense toward this track."
This quote highlights that despite mixed opinions, there is significant support and affection for the song "Paris" among fans.
"I do think there is a place for Paris in midnights and in general in her discography because we need this type of song."
This quote asserts the importance of having a variety of songs, including simpler and more fun ones, in an artist's body of work.
"It's very speak now. Do you really want to know where I was April 20th which is the release date of this is what you came for."
The quote points out a direct reference in the song "High Infidelity" to a significant date in Taylor Swift's career, showing the autobiographical nature of her songwriting.
"It's just really interesting to kind of get another song. I know that lots of people being like Oh just keep starting songs about that time it's like. yeah because so much happened and weirdly she hasn't actually mentioned it. that much."
This quote discusses the importance of revisiting significant periods in an artist's life through music, as a way to process and articulate those experiences.
"She's using so much metaphor and imagery this time from music very purposefully of course because we know you know it's about a musician in the end so high infidelity is a play on words from High Fidelity which is Hi-Fi which is you know the highest level of recordings."
This quote emphasizes the intentional use of musical metaphors in the song "High Infidelity," illustrating the depth of Taylor Swift's lyricism.
"It's just weird that she kind of has I think too fairly good. it doesn't work because I think it's like invisible strings. like yeah they met they didn't eat then from that point onwards is Mastermind she was like. okay. I want this to work and then glitch was like. oh my God it has worked."
This quote reflects on how Taylor Swift's songs provide different narratives about the same relationship, showing the complexity and depth of her songwriting approach.
"I hadn't realized that the contrast between them and one being after the other that's amazing."
The quote emphasizes Lisa's surprise at realizing the intentional sequencing of the tracks and their connection to the timeline of a relationship.
"It was almost like I swear it went the release of midnight the 2198 days of their love was literally like 20 something days before midnight was released or something ridiculous."
Lisa is struck by the coincidence of the release date of "Midnight" and its nearness to the six-year mark of the relationship, suggesting a potential hidden meaning or significance.
"I would love love to know the what kind of started what was kind of the first song that was written."
The quote shows Lisa's curiosity about the creative process behind the music, particularly the chronological order in which the songs were developed.
"Track 19 on the 3am edition of midnights is would have could have should have which was very surprising to hear."
This quote captures Lisa's initial surprise at the song's content and her subsequent realization of its deeper meaning.
"I mean it couldn't be more obvious like speak now Taylor is alive."
Lisa interprets the song as a strong statement from Taylor, reflecting on her past experiences and asserting her perspective.
"This man was 32 and she was 19."
The quote points out the significant age gap in the relationship, which Lisa believes contributed to the inappropriate dynamics and external judgment Taylor faced.
"It Felt Like Heaven God rest my soul uh I could have got it wrong with the righteous your crisis of my faith."
This quote from the song's lyrics indicates the use of religious imagery to express deep emotional turmoil and reflection on past experiences.
"I'm glad that she stood back and been like that was not right what you did."
Lisa approves of Taylor taking a stand and publicly addressing the wrongs she experienced in her past relationship.
"Dear reader which we mentioned this but to come back to it I do think it's the most poetic of the songs."
Lisa considers "Dear Reader" to be a standout track in terms of its poetic qualities and direct engagement with the audience.
"Hits different is so good so fun and just so pop like that's the pop moment on the album."
Lisa expresses her love for "Hits Different," highlighting its strong pop elements and its connection to Taylor's earlier musical styles.
"Actually, yes with more growth I've realized that this is the situation rather than just being in a heartbroken situation."
Lisa notes that Taylor's music has evolved to include a more mature perspective, allowing her to revisit past experiences with a sense of growth.
"I really really love this song like generally so much I cannot wait at the moment um I still haven't got my lavender CD no need to wait until I can properly get it and properly burn the CD and put it on my um phone."
The quote reflects Lisa's anticipation and excitement to obtain the physical CD to fully enjoy the song, indicating a deep personal attachment to the music.
"There's definitely a contract going on with Target that is very well done but also very well protected."
This quote implies that the exclusivity of the contract with Target has led to limited access to the music, which impacts the ability to appreciate the songs fully.
"I think there's one word for these two songs and it is pointless."
The quote conveys Cameron's opinion that the remixed versions do not add significant value or new perspective to the original songs.
"I really thought it was going to be more just as it is."
Lisa expresses disappointment that the remixes did not meet her expectations, suggesting a missed opportunity for a different musical experience.
"It just sounds so chaotic and it's not even really piano or string there's so many other instruments and rubbish going on."
Cameron criticizes the production of the remix, feeling that it is overly complex and fails to enhance the song.
"There is more that there's a clearness to it that's why I mean like it's kind of strict backed which I get the point of it."
Lisa notes that the clarity in the remixes is one of the redeeming qualities, showing that they can appreciate specific details even if they do not favor the overall remix.
"I do think this was kind of like Target asked for you know we want a few tracks and Taylor said. okay."
Cameron suggests that the remixed tracks might have been the result of a compromise to fulfill a contractual request rather than a fully realized artistic endeavor.
"So my top five I definitely would have could have should have Paris Paris is in there."
Lisa shares her personal favorites, indicating the songs that currently resonate with her the most.
"I think the more time we have with it the better it will get honestly."
The quote by Cameron suggests that their connection to the songs is expected to grow as they spend more time listening and reflecting on them.
"I think the midnights is definitely kind of pushing up their album ranking at the moment."
Lisa expresses that her opinion of the album is improving over time, indicating a growing appreciation for its place within the artist's body of work.
"And yeah these songs are great. and I will be intrigued to see how in time hopefully we'll do an album retrospective like we have with folklore on Evermore."
Cameron looks forward to future discussions and deeper analysis of the album, appreciating the ongoing engagement with the music and the listener community.