In this special episode of "Acquired," hosts Ben Gilbert and David Rosenthal are joined by the creative forces behind Showtime's "Super Pumped" series, Brian Koppelman and Joseph Gordon-Levitt. Koppelman, known for his work on "Billions" and "Rounders," and Gordon-Levitt, who portrays Uber's Travis Kalanick, delve into the complexities of adapting the real-life tech saga for television. They discuss the importance of authenticity, the challenges of playing a controversial figure, and the broader implications of Silicon Valley's grow-at-all-costs mentality. The conversation also touches on the personal bonds formed during production and the intrinsic motivation driving artists, contrasting it with the outcome-focused nature of business. With candid insights and behind-the-scenes anecdotes, the episode explores the intersection of creativity, storytelling, and the moral quandaries of disruptive innovation.
"Welcome to this special episode of Acquired, the podcast about great technology companies and the stories and playbooks behind them. I'm Ben Gilbert, and I'm the co founder and managing director of Seattle based Pioneer Square Labs and our venture fund, PSL Ventures." "And I'm David Rosenthal. And I am an angel investor based in San Francisco."
The quotes introduce the hosts and the theme of the podcast episode, which is to discuss the intersection of technology companies and entertainment, focusing on the Showtime series "Super Pumped."
"Well, for listeners who don't know the events of Uber, leading all the way up through their IPO and the implosion around that and the just insane story that all of that was is coming out as a Showtime series on February 27 called Super Pumped, I have to say it's a little bit surreal..."
The quote reflects on the significance of Uber's story and how it has transcended into mainstream media, emphasizing the cultural relevance of technology companies.
"And on top of that, there is no world that I would have thought we would have found ourselves in where there are guests unacquired to talk about it. And so we're ludicrously fortunate today for that to be the case."
This quote highlights the unique opportunity to discuss the making of "Super Pumped" on the podcast, bridging the gap between the tech industry and entertainment.
"Our next sponsor for this episode is one of our favorite companies and longtime acquired partner pilot for startups and growth companies of all kinds."
The quote introduces Pilot as a sponsor, setting the stage for a discussion on how startups can benefit from outsourcing non-core operations like accounting.
"And I'll earn some instant credibility, perhaps by saying when I listened to your Ethereum episode, it really did change my mind about what web three is."
This quote illustrates the impact of the Acquired podcast's content on listeners, even those already involved in the tech industry, showcasing its educational value.
"Uber serves as an excellent example of a larger trend that I think needs to be talked about, which is what happens when the modus operandi is profits, above all, shareholder value, up before everything."
The quote delves into the thematic exploration of "Super Pumped," highlighting the moral and ethical questions raised by the story of Uber and its broader implications for society.
"And then lastly, and to this audience I'll say this, which won't mean that much to that many people, but I know Bill Gurley. And I know Bill Gurley separate from this. And I like Bill Gurley."
This quote indicates the speaker's personal connection to Bill Gurley and sets up the context for Gurley's moral dilemma, which is a significant aspect of the narrative.
"So there's all these amazing moral questions and life questions for TK, many for Ariana. And then Gurley has his own really challenging question."
The speaker is emphasizing the complexity of the characters' situations and the difficult decisions they face, which are central to the narrative.
"Bill Gurley is a giant, literally a giant among venture capitalists. But that a venture capitalist would be a primary character on a show the likes of which you all would create."
The quote acknowledges Bill Gurley's stature in the venture capital world and the novelty of his prominent role in a narrative focused on business and entrepreneurship.
"We didn't talk to the people in the show for the show, meaning I told Bill, because I'm responsible person in that way. I said to Bill, Mike, Isaac sent me his book, we're going to go tell this story."
The speaker is clarifying the ethical approach taken in the storytelling process, ensuring that personal interactions do not influence the narrative, which is solely based on the book by Mike Isaac.
"I wanted to know not just what happened, but how it felt to have a conversation with them or be in the room with them, what was actually like personally."
This quote reflects the actor's desire to deeply understand the character of Travis Kalanick, aiming to deliver a nuanced and human portrayal.
"How can we make sure that we don't inspire a new generation of young entrepreneurs to be assholes?"
The actor expresses concern about the influence of the portrayal on the audience, emphasizing the intention to prevent the glorification of negative traits in entrepreneurs.
"We're trying to shine a light on what it means to be that kind of fucking guy. And what we're saying is a society, when we prop up people who have incredible verbal acuity and great math skills and the ability to galvanize in a way that serves us because we all take Ubers, but in a way that serves that individual more, and that does a disservice to huge swaths of people that we're not thinking about as we get into the back of the uber."
The speaker is discussing the moral and societal questions raised by the show, focusing on the impact of glorifying certain types of successful individuals and the potential negative effects on others.
"I really like your framework of artists. Jobs are to make you feel and to ask the important questions, but not provide the answers."
This quote highlights the perceived role of artists in society, which contrasts with the more solution-oriented roles of business professionals.
"And, like, once it starts playing on screen on the Eiffel Tower, I was like, no way. These guys got duped. These guys can't get duped. They're, like, the most well researched. And then when it fades away and shows that, indeed, that was the apocryphal story, I was like, masterminds. So I just have to applaud you for that." "And necessarily, you have to get clever because reading a book is a completely different experience than watching it on screen."
The quotes reflect the innovative approach to storytelling in film, where the filmmakers took a well-researched story and presented it in a way that played with the audience's expectations. They highlight the necessity of adapting storytelling techniques when transitioning from a book to a visual medium.
"It allowed us to disrupt form in what we were doing, because we're taking advantage of the fact that the story we're telling is about disruption."
The quote emphasizes the connection between the content of the story and the form it takes in the film. By focusing on a story about disruption, the creators felt empowered to disrupt the traditional storytelling forms themselves.
"Statsig is a feature management and experimentation platform that helps product teams ship faster, automate a b testing, and see the impact every feature is having on the core business metrics."
The quote describes the purpose and capabilities of Statsig, highlighting its role in helping product teams improve their development process and make informed decisions based on data.
"Mike was in the writer's room every day. Mike was in the writer's room with us every single day."
The quote underscores the close collaboration between the author of the book and the creators of the screen adaptation, indicating a high level of involvement and commitment to authenticity in the storytelling process.
"It was really just a few days of exteriors in San Francisco, and the rest is in LA and mostly know the paramount lot in soundstages."
The quote provides insight into the practical aspects of filming a series set in a specific location. It reveals that while the series is set in San Francisco, the majority of filming took place in Los Angeles to manage production logistics.
"You're really trying to like, the Waverly dinner is the fifth like, we had to know what really happened and then make a gut call."
The quote highlights the meticulous research and careful consideration that went into dramatizing real-life events for the screen. The creators were committed to balancing the need for compelling storytelling with the responsibility of staying true to the facts.
"The hard part is kind of keeping your focus and your concentration and maintaining that more childlike spirit of imagination while having to contend with all this morass of logistical crap."
The quote reflects the difficulty actors face in maintaining their imaginative performance amidst the chaotic environment of a film set. It suggests that the true challenge lies in balancing the creative aspects of acting with the practical realities of production.
"If you know it's bad, it's bad. If you know it's bad, it's fucking bad. Joe, that has to be your experience too, right?"
The quote captures the sentiment that creators often have an intuition about the quality of their work. It suggests that when creators are aware of shortcomings in their project, these issues are usually genuine and not easily resolved by surprise positive reception.
"I knew it was a horrible movie every day that I was working on it, and we couldn't get it better. And Ben and us tried our best, and Justin tried our best, and it was just one of those things."
This quote illustrates the speaker's awareness of the film's quality issues during production and the unsuccessful attempts to improve it, highlighting the challenge of working on a project destined to fail.
"And truth is, I don't like a lot of stuff that's on tv. And I got to hand it to apple that they let me make something that was very particular."
This quote emphasizes the speaker's appreciation for being able to create content that reflects personal taste, even though it may not align with mainstream preferences, highlighting the creative freedom granted by the platform.
"But now it's obviously a movie that people not only like but are obsessed with. And it did hundreds of millions on dvd later, and it's a movie. I get asked to do a sequel to every day of my life."
The quote illustrates how a project's initial failure can contrast with its eventual success and cultural impact, demonstrating the unpredictable nature of the entertainment industry.
"All you can do is just go as deep as you possibly can into yourself and see if you can dig down deep enough where you can honestly say, I'm not paying attention to anybody else or anybody's perspective or opinion. I'm just here with myself because that's where your unique voice is."
This quote encourages artists to prioritize their inner voice and personal exploration over external feedback, emphasizing the importance of intrinsic motivation in the creative process.
"What someone like Joe could do is go deep enough to express with his face and his body and his voice, something that's so particular and personal and private to him."
The quote highlights the profound impact of an actor's ability to authentically express personal emotions, which can create a deep connection with the audience.
"Crusoe's data centers are nothing but racks and racks of a because Crusoe's cloud is purpose built for AI and run on wasted, stranded or clean energy, they can provide significantly better performance per dollar than traditional cloud providers."
This quote explains Crusoe's business model, which leverages unused or clean energy to power AI workloads, providing both environmental and economic advantages.
"For people who don't realize how insanely multi talented Joe is, open up YouTube and search for the cure, Katy Perry, Jimmy Fallon."
This quote is a recommendation highlighting the diverse talents of one of the speakers, encouraging listeners to explore content that showcases these abilities.
"Grow or die. Grow or die. Grow or die. And by the way, that was a phrase that's the name of episode one, grow or die."
The quote reflects on the unsustainable nature of the current economic system and the necessity for change, which is a recurring theme in the broader conversation about art and commerce.